Two Wild Boar
Dated 1870
Brienz, Switzerland
Walnut
This sculptural group depicts two wild boar startled into motion. The lower animal lunges forward with forelegs extended and head thrust low, while the second boar surges across its back, creating a compact and animated composition. The figures are arranged along a pronounced diagonal, emphasizing forward movement and urgency.
The carving demonstrates close observation of animal form. The bristled coats are articulated through tightly worked, directional tool marks that suggest coarse hair and shifting musculature beneath. Facial features—including tusks, snout, and alert eyes—are sharply defined, contributing to the heightened expression of alarm. Variations in depth and surface treatment produce strong contrasts of light and shadow across the figures.
The animals stand on a carved base indicating forest undergrowth and ground cover, situating the scene within a naturalistic setting. The walnut retains a warm patina that accentuates the relief and surface detail.
Dated 1870, the sculpture corresponds to the period in which Swiss Black Forest carving achieved wide recognition for its naturalistic animal subjects and technical refinement.
Two Wild Boar
Dated 1870
Brienz, Switzerland
Walnut
This sculptural group depicts two wild boar startled into motion. The lower animal lunges forward with forelegs extended and head thrust low, while the second boar surges across its back, creating a compact and animated composition. The figures are arranged along a pronounced diagonal, emphasizing forward movement and urgency.
The carving demonstrates close observation of animal form. The bristled coats are articulated through tightly worked, directional tool marks that suggest coarse hair and shifting musculature beneath. Facial features—including tusks, snout, and alert eyes—are sharply defined, contributing to the heightened expression of alarm. Variations in depth and surface treatment produce strong contrasts of light and shadow across the figures.
The animals stand on a carved base indicating forest undergrowth and ground cover, situating the scene within a naturalistic setting. The walnut retains a warm patina that accentuates the relief and surface detail.
Dated 1870, the sculpture corresponds to the period in which Swiss Black Forest carving achieved wide recognition for its naturalistic animal subjects and technical refinement.
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